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DV is a high-quality, digital format that integrates well with desktop systems There are currently three DV formats: miniDV, DVCPro, and DVCam MiniDV is the most common, and generally is the format used by consumer cameras DVCPro and DVCam are professional formats which are not as widely available as miniDV The DV format is far superior to Hi8, S-VHS, and other consumer formats DV is digital, so it does not suffer from generation loss: a copy of a DV tape is identical to the original MPEG-2 stands for Motion Picture Experts Group, level2 This le format has been de ned by a consortium of companies, with a view to introducing a proper standard for video compression QuickTime is a le format created by Apple Computer It has been a howling success, as evidenced by the facts that it is the format most used on the web, and it will be the core technology of MPEG-4 (There will be no MPEG-3 Go gure) We'll look at an overview of the bene ts and features of QuickTime after reviewing at the core item of digital video: compression Digital video needs huge amounts storage space One computer screen of data is approximately 1MB in size Since video in North America displays at 30 frames (screens) per second, that's 30MB per second of raw information Apart from the consequent enormous storage space for raw video, computers cannot handle processing and displaying that amount of data per second Therefore, we need a way of reducing the 30MB/second demands on our systems The way this is done is to analyze the video frames, and look for ways of throwing away data, without apparent degradation of the image This process is called compression There are two ways to compress digital video: By throwing away data in a single frame (intra-frame compression) By throwing away data which differ from frame to frame (interframe compression.

et s say you ve drawn an object and you re fairly pleased with it, except for that little corner that you couldn t draw just right Editing objects is the theme of this chapter, where you ll learn various techniques to massage that almost-perfect shape into exactly the shape you ve envisioned Because every object you draw on a page can be broken down into rectangles, ovals, path segments, and so on, this chapter covers the tools and features for doing exactly this: breaking down shapes, combining them, subtracting a little of this, adding a little of that Often, arriving at a design of your dreams can be most quickly accomplished by creating an approximation of the shapes you need Then with a pull and a tug here and there, erasing a tiny area perhaps, you ll get quicker results than if you had built the object from scratch You ll see in this chapter that editing objects not only provides you with the best results, but that you can also add visual complexity and embellishments that would be hard to achieve using other methods

You have a choice of two places to begin when you want to edit an object: you can use operations (commands you make with the click of a Property Bar button), or you can use the hands-on approach; both are covered in this chapter Both approaches will serve you well, and your choice largely depends on what you need to edit, what type of operation is required

There are many ways of analyzing the video stream and throwing away data in a systematic fashion and still maintaining an acceptable image quality Each different way uses a different algorithm (method of computation) Each way is called a codec, short for compression/decompression Since throwing away data calls for choices and compromises in deciding what can be thrown away and what can not, different codecs are better for some types of video images than others Some codecs require

Drawing shapes from scratch is often a tedious and time-consuming process, but CorelDRAW has great shaping commands to speed the process Shape commands such as Trim, Weld, and Intersection make creating complex shapes quick and painless You ll also find three other shape commands at your disposal: Simplify, Front Minus Back, and Back Minus Front In this next section, we ll examine exactly how you can use these commands to shape and reshape your objects Before we get into the specifics of each type, though, let s take a look at where you can find them in CorelDRAW X4

CorelDRAW X4 s Property Bar provides shaping command buttons that enable you to shape selected objects instantly These Property Bar options become available only while at least two objects are selected and they make shaping commands available, whether or not the objects are positioned to overlap Property Bar shaping buttons are shown here:

CHAPTER 11:

14

LIFE COMPASS:

Ill 11-1

When using Property Bar shaping buttons, shapes are subtracted, added, and so on, but the original objects go away To keep your original objects, use the Shaping docker, which offers options to specify that the Source Object (the one performing the operation the scissors ) and/or Target Object (the object receiving the operation the paper ) should remain after shaping Now that you know where to find the buttons to launch these commands quickly, let s examine what they enable you to do The following section explains the results of applying each command to at least two selected objects: