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Did you actually do the premastering for the production CD in-house or do you farm that work out Jeff: We do it in-house Chris: What do you mean by premastering exactly Creating the one-off that went to the replicator prior to production Chris: We created the one-off When you produce a one-off, there are a bunch of utilities around that will do sector-by-sector checking of content Did you go to that extreme or did you rely on the replicator to run a check before they create a glass master Chris: Usually we rely on the replicator If we're having some problems, I de nitely have gotten to the point of doing sector-by-sector checks But usually we do that kind of stuff to see where a le was written on a CD A lot of times when you're using QuickTime media for example, it is crucial that the media is written as close to the center of the disc as possible to get every bit of performance out of the media that you can That's interesting I thought it was much less an issue with the faster CD-ROM drives, but it sounds like you still need to worry about le placement quite a bit Chris: You can't count on the end user having a faster CD-ROM drive Even in a situation where you are developing for a 4x drive and you have some rich QuickTime media playing along with some other animation in Director, you still have to worry You do every thing you can to get good performance Does Toast even have a feature that lets you control disc geography Chris: It does, but only works for ISO-9660 It's really frustrating when you are making a cross-platform CD How did you get around the placement issue then Chris: On this particular CD, it wasn't so much an issue We just tended to put the les that would only be accessed once, like the software demos, towards the outside of the disc The Flash content and the Director les we were going to be repeatedly accessing, we put in the middle of the disc To answer your question: On this particular project, we really didn't.

FIGURE 15-4

FIGURE 15-5