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Points to consider in your individual approach to packaging are as follows: Clarify the target audience and identify precisely the intended use of the product Will the package itself be used in marketing the product If so, the artwork should be coordinated with any printed ads If you need a mailer, will a plain one suf ce, or will you need a custom approach designed to integrate with your total marketing plan What other materials (such as user manuals, brochures, reference cards, and so on) will be packaged with the optical disc Find a replication service or production house that specializes in package design and execution If you can nd a single facility that offers both design and replication, this can speed the process and offers fewer chances for miscommunication Obtain samples of

Uniform Fill Type selector (color models)

Fountain fills fill objects with a smooth transition between two (or more) colors and come in various styles Many commercial pieces of artwork are created today that imitate the traditional airbrush (popular in the mid 20th century) by using fountain fills You can apply a fountain fill in different ways, and the following tutorial shows you the quickest, most artistically satisfying way

1 Select an object and then choose the Interactive Fill Tool (G) from the Toolbox 2 Click-drag, beginning at one side of your object and dragging to the opposite side at

16

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any angle; try dragging from 10 o clock to 4 o clock, for example A default linear fountain fill is created using the object s current fill color, making a color transition from the defined color to white, indicated by settings in the Property Bar If your object has no fill, a default black-to-white fountain fill is created

Type selector As you do this, the shape of your fountain fill (and the available Property Bar options) changes

markers and midpoint slider control Notice how the position changes affect your fill The midpoint slider is used to influence the point at which the From color and the To color in the fountain fill is exactly a 50/50 mix of the colors So if, for example, you want to create a shaded sphere, you begin with an ellipse object, fountain fill it with the Radial fill type, and then move the midpoint closer to the white marker than the black to make a small, subtle, sharp highlight on the object: bingo, you have yourself a dimensional sphere! Using these steps, you ve created a default linear fountain fill Your click-drag action specifies several properties The first click sets the From color position, and the drag direction defines the angle The length of the drag defines the distance, and the mouse release defines the To color position A series of interactive markers shows the position of each of these values This is important to understanding how fountain fills are applied; other fountain fill operations are variations on this theme Next, let s examine each fountain fill type in detail (see Figure 17-2)

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Linear This is the default fountain fill style, and it is most useful for shading rectangular shapes to suggest lighting on a dimensional plane or 3D object The color marker positions mainly control its appearance Radial This type makes a color transition outward in a circular style, terrific for shading round objects and objects you d like to soften in appearance While using radial fountain fills, the center offset controls where the fill begins

FIGURE 17-2